Lumens & Currents at GrayDuck Gallery

January 3, 2017 11:49 am  /  Uncategorized

John Swanger and I have been in dialogue for years about art and life.  Our two-person show is on view Dec. 9 – Jan. 15.  We hope you’ll see it!

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We got a kick out of this blurb on the German website Headlines 24

My recent book of philosophical essays about art and life along side my photographs, is a part of this exhibition at the Phoenix Museum.  I love the self-publish reality and am glad to be a part of this show!

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September and October 2016

Southwest School of Art

installation view

Grasses, no.1

September 9, 2016 2:42 pm  /  Uncategorized

grasses and weeds
behind the back fence
an image that returns in me

tall, lean
shards of light

grow
in as many as the fourth dimension

into 30 years later
their lives emerge

opening
clearing
space

-EC, 2016

Electric Blue Flowers

September 6, 2016 10:11 pm  /  Uncategorized

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I finally finished Electric Blue Flowers! I’m especially excited about this project because it includes my writings and images together for the first time! You can find it at Farewell Books, Mass Gallery, Frontispiece Hudson, or in my studio.*

*Thanks City of Austin for funding it, and fluent~collaborative for sponsoring it!

An exhibition of photographs organized by Colby Bird at Frontispiece Hudson in Coxsackie, NY (August 2016). Theatre is a project exploring the spaces between internal and external experience through the undersides of canopies presented as cosmic.Inner, Outer Space of a Tree

Inner Outer Space of a Tree, 24 x 24 inches, film photography

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in the space of summer

Elizabeth Chiles, Karen Elizabeth Cleveland, and Olivia Valentine
August 5 – September 10, 2016
Opening Reception: Friday, August 5, 7:00 pm
whitespec, 814 Edgewood Ave NE, Atlanta, GA 30307

Elizabeth Chiles (from Austin, TX), Karen E. Cleveland (from Boone, NC) and Olivia Valentine (from Chicago, IL) met at Hambidge during their fellowships in the summer of 2014. The three began a dialogue as they saw overlapping interests in ideas and work. In the Space of Summer includes work that investigates their experiences at Hambidge of the landscape as a place of spiritual renewal and resource, and also as an architecture to both marvel at and look through.

Chiles’ work is made observing mimicry and patterning in nature and collaging images together to create works in celebration of the natural world and the human place within it. Sacred geometry, weaving, Rorschach, architecture and the margins of perception are areas that define the final images. The pieces in this show are composites of situations and experiences Chiles had in the Hambidge landscape, and were particularly inspired by the richness of the temperate rainforest.

Cleveland’s work explores the body’s intimate relationship and silent conversation with nature. Works investigate fleeting moments of belonging to slants of sunlight, the fecund earth aroma of North Georgia and other unseen energy thriving below the surface of the forest. Her drawings represent the moment of connection and surrender, where boundaries between Self and the natural world drop. Her work touches on her Cherokee heritage, and experiences in the Hambidge landscape and Rabun Gap area.

Valentine is showing a new large-scale lace piece, based on the windows of her studio at Hambidge. Created through labor-intensive weaving, the triptych speaks to the specificity of the windows in her space as well as larger ideas of boundaries and movement between physical and psychological spaces.

2015-16 Austin Critics Table.

May 10, 2016 12:55 pm  /  Uncategorized

Earth’s crammed with heaven,
And every common bush afire with God;
But only he who sees takes off his shoes-
The rest sit round it and pluck blackberries.

-Elizabeth Barrett Browning

Martin-Bogomolni-e1462392956140 In short, clouds exist in a realm where the physical and metaphysical touch. “We look up for answers,” Pretor-Pinney says.  Article here